PERFORMANCE PLATFORM

About

Performance Platform is a website and web app listing public activities from five different organisations based in Amsterdam: Dasarts, If I Can't Dance, I Don’t Want To Be Part Of Your Revolution, NBprojects, School for New Dance Development (SNDO) and Veem House for Performance. In addition, Performance Platform calls attention to other performance-related events in the city and abroad.

Performance Platform is an entirely subjective, while broadly oriented mapping of the performance landscape. Besides being a user-friendly list serve, the platform aims to highlight pathways through the city, facilitating new discoveries across the various institutions where (performing) arts take place. Far from attempting an all-encompassing survey of the field, the platform’s organisers include information concerning performance-related activities that have captured our imagination: mainly in Amsterdam—to strengthen the local scene—but also elsewhere in the world.

Every month, the five partners come together to discuss preferred landmarks within Amsterdam’s performance field, unfamiliar artists, or events that arouse curiosity. We draw attention to the things that are already here, close-by, but which are perhaps overlooked, inconspicuous or as yet unnoticed. We don’t shy away from ‘big and famous’ either. Every month a new landscape of artistic activity arises—full of not-yet-visible links and possible interconnections, new perspectives, viewpoints and secret gardens.

Those who subscribe to the Performance Platform, get a monthly Letter in their inbox. The goal of this Letter is not to inform, nor to bring any 'news'. Until 2016, each month, in a rotating manner, Barbara Van Lindt, Anne Breure, Nicole Beutler, Frédérique Bergholtz and Bojana Mladenovic, have been presenting the platform’s readership with topics, ideas or people connected to their most current interest. In 2016, a new editorial board composed of Isobel Dryburgh, Maria Rößler, Marjolein Vogels, Annick Kleizen and Simon Asencio was invited to bring in their diversely informed perspectives and to continue the momentum initiated by the five ladies who artistically lead the Performance Platform’s constitutive organisations. Sometimes staying as close as to articulating excitement or concern from the life of the organisations, at other times drawing attention to complex and elaborate projects of others, the editorial board also occasionally extends the invitation to a guest to speak on its behalf.

Each Letter marks a point in time in which the thoughts and ideas on or around performance situate themselves rather freely in poetic, semi- or non-academic, invigorating, careless, engaged, frivolous and pertinent performance discourses at once.

The history and traditions of performance lie in the twentieth century. Today, this provides references, concepts, presentation modes, curatorial models, theoretical and philosophical ideas that infuse life in many different scenes. For us—a venue and production house, a dance company, a visual arts institute, a Bachelor Studies for Choreography and a training programme for Masters of Theatre—approaching the arts from a disciplinary angle does not correspond to the way we work, think and talk. Performance allows another perspective: less sticking to orthodoxy within disciplines, more addressing qualities of presence, the experience of an event, and the politics of show and tell.

English is the language most used in this international community and is therefore the one we have chosen to carry the Performance Platform contents.

NBprojects IICD Het Veem Theater DASarts SNDO

HET VEEM THEATER

Filled with voices during the year; old and new, young and established, coming from the arts and beyond, coming from Amsterdam and abroad. Always exploring what performance can and should be in movement, time, and discourse; questioning what we take as given, performing new proposals for ways of looking, and taking us on journeys to unknown worlds. Veem stands as a house for performance, dance, and discourse for making and presenting radical, daring, and experimental work.

We do this by producing and presenting performances on the cross-disciplinary field of dance, theatre, visual arts, cinematography, and music from new makers and by inviting work of international influential artists.
We do this in connections with schools and institutions with whom we share fascinations and this field. (i.a. SNDO, Mime, Amsterdam Master of Choreography and DasArts; Stedelijk Museum, SPRING, ICK, Oude Kerk, Nieuwe Grond – Theater Festival)
We do this in discourse by organising exchanges of thought, booklaunches, debates and salons.
We do this in going outside and working at, and with, other spaces and places.
We do this with you – the audience, artists, and all curious minds out there. The doors are open! Be welcome.

www.veem.house

IF I CAN'T DANCE

If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution is an association dedicated to exploring the evolution and typology of performance and performativity in contemporary art. If I Can’t Dance initiates, produces and presents projects with artists, curators and researchers on the basis of long-term collaborations. These projects are presented (inter)nationally through a network of partner institutions.

If I Can’t Dance works along the systematic of collaboration. It doesn’t have a ‘house’, but instead produces projects and programmes that have different manifestations in different institutions within the Netherlands and abroad. One of our networks is Corpus, a European consortium for performance production including the partners Tate Modern and Playground Festival (STUK, Museum M).

If I Can’t Dance’s programme is structured in two-year editions, comprising of artist commissions, research commissions, as well as discursive activities including a monthly reading group. Each edition, defined by a certain field of investigation, engages a group of associated practitioners and institutional partners and unfolds along a travelling trajectory. Previous editions examined theatricality (Edition I), feminism (Edition II) masquerade (Edition III), affect (Edition IV), and appropriation in conjunction with dedication (Edition V) in contemporary visual art.

For Edition VI (2015–2016), If I Can’t Dance takes the notions of ‘Event and Duration’ as the field of research for its biannual programme of Commissions, Performance in Residence projects, reading groups, seminars and workshops. The programme of Commissions includes the production and presentation of new work by artists Leonor Antunes, Alex Martinis Roe, Naufus Ramírez-Figueroa, and Joke Robaard. If I Can’t Dance also continues its Performance in Residence programme, approaching performance-related practice through production-led research, with four new projects by Erin Alexa Freedman and Lili Huston-Herterich, Fred Moten and Wu Tsang, Peter Pál Pelbart, and Vivian Ziherl.

Since its inception in 2005, If I Can't Dance explores performance practice in visual art, set within the wider scope of both stage arts and feminism. Our relationships with practitioners to this day are informed by our ongoing interest in current and past theatre and dance practices and the manifestations of feminist discourse in art production.

The programme of If I Can’t Dance is supported by the Mondriaan Fund, the Cultural Programme of the European Union (Corpus) and the municipality of Amsterdam.

www.ificantdance.org

NBPROJECTS

NBprojects is a vehicle for the artistic and curatorial projects of choreographer Nicole Beutler and her associates.

NBprojects is motivated by the desire to find, and propose, alternatives to fixed ideologies. It seeks to articulate the instability of the rational, create conditions for encounters and reflection within an artistic practice that naturally goes beyond the borders of constructed disciplines such as theatre, visual art, music, dance and performance. This motivation leads to performance/ dance/ theatre projects, to various forms of cross-disciplinary collaborations, as well as to the curating of conferences, lectures, festivals and the annual summer academy: WE LIVE HERE.

Nicole Beutler studied Fine Arts in Germany and Dance and Choreography at the School for New Dance Development (SNDO), part of the Amsterdam Theatre School. Parallel to creating dance/performance pieces, she was a member of the theatre-maker’s collective LISA. After five years of existence as discursive framework and production platform, LISA came to an end. Nicole set up her own organisation: NBprojects. Propelled by the fundamental desire to ‘bring people together’, with NBprojects she continues the search for links and connections across the field and beyond.

NBprojects is joining the Performance Platform in order to expose existing artistic pathways across the city of Amsterdam and beyond its borders, to mark a landscape of affinities and potential connections and to relate individual practices to the larger context.

NBprojects is funded by the Dutch Performing Arts Fund.

www.nbprojects.nl

DASARTS

DasArts is a master’s degree course within the Theatre School of the Amsterdam School of Arts. The programme is based on eighteen years of experience as an educational, production-based and research-orientated hybrid. Our two-year, question based, residential master’s programme functions as a laboratory and aims to improve the artistic competences of its international students.

Artists studying at DasArts define both their goals and the research methods they plan to adopt. Although the focus is placed on individual development, our main educational strategies are derived from the learning potential of encounters: significant collisions with peers, guest teachers and staff and the fostering of professional intimacy. In other words, the degree to which you are able to provide insights into your working processes to a group of colleagues and/or an audience (often comprised of professionals).

DasArts is an acknowledged master of theatre. Theatre is the backdrop: its history and conventions, the traditions and the avant-garde spirit. Performance is part of this legacy. Since this lively contemporary international scene of practitioners and theoreticians creates a cross-cultural critical environment, DasArts consciously brings it into its program: via guest teachers, advisors or mentors, the students themselves, or the books housed in the library.

www.dasarts.nl

SNDO

The SNDO—School for New Dance Development (School voor Nieuwe Dansontwikkeling in Dutch)—offers a full time four-year professional education course leading to a bachelor's degree in Art – Choreography. The school was founded in 1975 as an attempt to find new directions for dance next to the existing forms and styles that dominated the field. After forty years, the SNDO remains inquisitive, open minded, and in the foreground of progressive developments in the fields of dance and performance. In the curriculum, the school establishes the conditions from which the creativity of the student can emerge. Reflection on the specific qualities of dance and performance as art forms is developed, and awareness of the body and the artistic implications of working with it take precedence.

The SNDO has built an international reputation and has students from more than forty different countries. The staff and guest teachers are also international, and courses are taught in English. This international reputation, its strong image (inevitably followed by some myths!), and its excellent pool of alumni, all continue to contribute to its development and renewal, challenging and expanding upon established ways of making choreographies and performances. It is only possible to achieve this through the combination of an articulate vision on art, society, and education, and the translation of this vision into the school structure and the curriculum. Throughout the years one thing has remained constant—that which is expected from its students, the SNDO poses as a task to itself: continuous critical self-examination, experimentation, renewal, and the contemporaneity and progressiveness of its programme.

Over and above its core curriculum, the SNDO does this through active and critical dialogue with contemporary themes and politics within the profession; stimulating and initiating new developments and research in the area of dance and performance; by offering intensive courses and symposia, and by producing articles that can contribute to further development in the field. The SNDO collaborates with a number of local and international organizations from the fields of dance, performance, visual arts, and education: theatres Frascati and Het Veem, the fine arts institute If I Can’t Dance in Amsterdam and HZT from Berlin.

Like any educational structure, the SNDO is further recognized and enriched by the work of its alumni. Many teachers, dancers, and choreographers work in the international field. Within the large working community names such as Sasha Waltz, Martin Nachbar, Thomas Lehmen, Ivana Müller, or Nicloe Beutler stand as already established and recognized choreographers alongside more recent forces such as Alma Söderberg, Rodrigo Sobarzo de Larraechea, Vincent Riebeek, Florentina Holzinger, Lisa Vereertbrugghen, Simon Tanguy, Marta Ziólek, and Simon Asencio, to name just a few recent graduates.

The SNDO is part of de Theaterschool at the AHK—Amsterdam School of the Arts, and is accredited by the Dutch Ministry of Education, Culture and Science.

www.sndo.nl

Design by Kommerz / Technique by Joris Lindhout

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  • 0515

  • Mu­se­um Lud­wig

    Andrea Büttner. 2

    An­drea Bütt­n­er

    5 Sep-15 Mar 2015

    Mu­se­um Lud­wig, Köln (DE)

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  • The largest room in the Mu­se­um Lud­wig is di­vid­ed in­to two parts, one light and the other dark. In the dark space An­drea Bütt­n­er is show­ing her lat­est video in­s­tal­la­tion, Piano De­struc­tions. Fea­tured here is his­tor­i­cal foo­tage of per­for­mances in which artists — al­most exlu­sive­ly men — de­stroy pianos; as well as a per­for­mance of her own, in which nine fe­male pian­ists play pie­ces by Schu­mann and Chopin in chorus. Two forms of in­ter­act­ing with the piano are jux­ta­posed. This con­fron­ta­tion al­lows for re­newed re­flec­tion on gender issues, on per­for­mance art and the piano as its clas­si­cal prop — ma­nip­u­lat­ed and mal­treat­ed in ev­ery way imag­in­able.

  • Tue–Sun, 10am-6pm
  • €9/7/6
  • museum-ludwig.de
  • Hein­rich-Böll-Platz, 50667 Köln
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  • 1801

  • GfZK

    Creativity Exercises

    Dóra Hegyi, Franciska Zólyom, Zsuzsa László

    18 Oct-1 Feb 2015

    Galerie für Zeitgenössische Kunst, Leipzig (DE)

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  • How people learn, what they know and how it influences their personality, their behaviour and their position in society, is examined from various different perspectives. With a focus on Eastern Europe, “Creativity Exercises” presents historical and contemporary artistic projects that experiment with alternative forms of learning. The exhibition, workshops and lectures look into the inquiring quality of creativity, which is at the same time subversive and constructive: artistic approaches that challenge a wider view of learning, and related social, economic and institutional conditionalities, are introduced and activated.

  • Tue-Fri, 2-7pm; Sat-Sun, 12-6pm
  • €8/5/4/3
  • gfzk-leipzig.de
  • Karl-Tauchnitz-Straße 9-11, 04107 Leipzig, Germany
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  • 2529

  • Extra City

    Allegory of the Cave Painting. The Other Way Around.

    Pavel Büchler, Dan Graham, a.o.

    25 Oct-29 Mar 2015

    Middelheim Museum, Antwerp (BE)

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  • Complementing the exhibition at Extra City, Allegory of the Cave Painting. The Other Way Around in the Braem Pavilion brings together works by Pavel Büchler, Dan Graham, Hans van Houwelingen, Ann Veronica Janssens, Alon Levin, Dóra Maurer, Ciprian Muresan, Navid Nuur, Miklós Onucsán, Erin Shirreff and Paola Yacoub. It is organized in ‘concentric circles’ around a series of sculptures from the Middelheim Museum collection, which are particularly used in the installation of Ciprian Muresan.

  • Tue-Sun; 10am–5pm
  • Free admission
  • extracitykunsthal.org
  • Middelheimlaan 61, 2020 Antwerp, Belgium
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  • 2508

  • La Ferme du Buisson

    The Yvonne Rainer Project, Lives of Performers

    Yvonne Rainer, Yael Davids, a.o.

    25 Oct-8 Feb 2015

    La Ferme du Buisson, Noisiel (FR)

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  • The exhibition Lives of Performers is a tribute to the legendary American dancer, choreographer and filmmaker Yvonne Rainer. The films, photographs, sculptures, paintings and performances, created by a number of artists, question the concept of “liveness”. Born in 1934 and one of the founders of the Judson Dance Theatre, Rainer has been a major influence on subsequent generations of artists. After applying to choreography the results of her research into everyday interplay between the private and the political, she then transposed them into her film work.

  • Wed-Sun; 2–7.30pm
  • Free admission
  • afermedubuisson.com
  • Allée de la Ferme 77186, Noisiel, France
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  • 3122

  • Tropenmuseum

    Grand Parade

    Jompet Kuswidananto

    31 Oct-22 Mar 2015

    Tropenmuseum, Amsterdam

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  • View a unique art installation, specially made for the Tropenmuseum, by the in Asia renowned artist Jompet Kuswidananto, on display from 31 October. Jompet made his name with fascinating groups of life-size mechanical figures in the form of parades, which come into action like a real orchestra at set times. For the first time he’s bringing together these parades in the Great Hall of the Tropenmuseum, thereby creating a new art installation. In his work he shows a constantly changing world and the way in which the identity of individuals and groups change with it.

  • Tue-Sun, 10am–5pm
  • €12,50/11,50/8/4
  • tropenmuseum.nl
  • Linnaeusstraat 2, 1092 CK Amsterdam
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  • 22

  • Van Abbemuseum

    Confessions of the Imperfect

    Fernando García-Dory, Liam Gillick, Wendelien van Oldenborgh, a.o.

    22 Nov 2014

    Van Abbemuseum, Eindhoven (NL)

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  • Confessions of the Imperfect is an exhibition on art, design, life and work, structured as a practical and experiential survey of the modern world. The exhibition presents a diverse mix of historical material, design and contemporary art projects to reflect on but also to use. It takes its title from the Romantic art critic and social reformer John Ruskin, who in Stones of Venice (1869), presented a holistic and ecological view on the relation between art and life as a perpetual and necessary struggle with human imperfection.

  • Tue-Sun, 11am–5pm
  • €18/12/9/6
  • vanabbemuseum.nl
  • Bilderdijklaan 10, 5611 NH Eindhoven, The Netherlands
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  • 0214

  • NYU Steinhardt

    Learn to Read Art: A Surviving History of Printed Matter

    Printed Matter, Inc.

    2 Dec-14 Feb 2015

    80WSE gallery, New York (USA)

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  • 80 WSE Gallery is pleased to present Learn to Read Art: A Surviving History of Printed Matter, an exhibition chronicling the thirty-nine year history of iconic artist’s book organization Printed Matter, and subsequently the larger history of artists’ book production from the 1970’s through the present. Please note the 80WSE gallery will be closed for winter break December 20th – January 5th.

  • Tue-Sat, 10.30am-6pm
  • Free admission
  • steinhardt.nyu.edu
  • 80 Washington Square East, New York, NY (USA)
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  • 0131

  • Stedelijk Museum

    A year at the Stedelijk: Tino Sehgal

    Tino Sehgal

    1 Jan-31 Dec 2015

    Stedelijk Museum, Amsterdam

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  • The first major survey of the German/British artist Tino Sehgal marks the new directorate of Beatrix Ruf. Taking place in 2015, the overview unfolds in 12 chapters. Conceived as a consecutive series of presentations, the exhibition features different work from Sehgal’s oeuvre each month, enacted in a different gallery space. Sehgal’s twelve-part survey is not only a prelude to a fresh approach to using the building under the new directorship but also an innovative re-envisioning of the exhibition as phenomenon.

  • Daily, 10am-6pm; Thurs 10am-10pm
  • € 15/7,50/3,50/0
  • stedelijk.nl
  • Museumplein 10, 1071 DJ Amsterdam
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  • 1028

  • Ellen de Bruijne Proj. icw Kunstverein

    Present

    Dorothé Orczyk (curator)

    10 Jan-28 Feb 2015

    Ellen de Bruijne Projects, Amsterdam

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  • From 10 January – 28 February 2015 Ellen de Bruijne Projects, in collaboration with Kunstverein Amsterdam, will present different performances every week by the following artists: Kerstin Cmelka, Jeremiah Day, Uta Eisenreich & Eva Meyer-Keller, Louise Hervé & Chloé Maillet, I’m with her records, Sarah van Lamsweerde, Erkka Nissinen, Janneke van Raaphorst, and Geo Wyeth. For more information and updates on the programme, visit: edbprojects.com

  • See programme
  • See programme
  • edbprojects.com
  • Rozengracht 207 A, 1016 LZ Amsterdam
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  • 1722

  • Onomatopee

    A Romance in Five Acts and Twenty-One Englishes

    Nicoline van Harskamp

    17 Jan-22 Feb 2015

    Onomatopee, Eindhoven (NL)

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  • In a solo exhibition at Onomatopee, Nicoline van Harskamp brings together three works in a new, still on-going series on the topic of the future of the English language. In collaboration with art institutions throughout Europe, each work will be conceived as an experiment on the different linguistic phenomena associated with the global use of spoken English, by people for whom the language is not their ‘mother tongue’. The opening programme (January 17, 4.30pm) features a live staging of A Romance in Five Acts and Twenty-One Englishes, featuring Mark Bellamy, Cézanne Tegelberg, Claire King, Mark Kingsford and Ralph de Rijke.

  • Thurs-Sat, 1–5pm
  • Free admission
  • onomatopee.net
  • Hallenweg 1c, 5615 PP Eindhoven, The Netherlands
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  • 2801

  • Frascati Theater

    Inventaris van onmacht

    Edit Kaldor, Andreas Bachmair, Jurrien van Rheenen, Kobbe Koopman, a.o.

    28 Jan-1 Feb 2015

    Frascati Theater, Amsterdam

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  • Laten we beginnen bij het begin. Wat is er mis? Wat zou je willen veranderen, als je maar kon? In je eigen leven, in de maatschappij, in de wereld? Bij velen lijken gevoelens van verontwaardiging over kleine en grote misstanden tegenwoordig te stranden in onmacht. Theatermaakster Edit Kaldor besloot het potentieel tot verandering open te breken met een initiatief van onderaf.  In Nederland, Tsjechië, Duitsland en Polen organiseerde zij kleinschalige bijeenkomsten waarin stadgenoten uiteenlopende ervaringen van onmacht uitwisselden, even zovele kritische kanttekeningen bij de structuren waarin we leven.

  • 8.30pm
  • €15/11,50
  • frascatitheater.nl
  • Nes 63, 1012 KD Amsterdam
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  • 3015

  • Kunsthalle Basel

    Ongoing Retrospective (Chapter 1)

    Zhana Ivanova

    30 Jan-15 Feb 2015

    Kunsthalle Basel, Basel (CH)

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  • Performance artist Zhana Ivanova (*1977) will have her first institutional solo show at Kunsthalle Basel. The nature of her performances often involves revealing, on the one hand, the underlying codes, rules, and structures in society, and, on the other hand, a form of prediction or future tense; thus her exhibition proposes to operate a bit like her work, revealing something about the codes, rules, and structures of exhibition making and setting those into an indeterminate future. Ongoing Retrospective reverses the typical nature of the retrospective—as something that comes at the end of an older artist’s career and looks back—since here we will start at the beginning of this young artist’s career and look forward.

  • Tue-Fri, 11am-6pm; Sat, Sun, 11am-5pm
  • n/a
  • kunsthallebasel.ch
  • Steinenberg 7, 4051 Basel, Switzerland
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  • 0203

  • Het Veem Theater

    DasArts Masterproof: Translating Lola

    Margo van de Linde

    2 & 3 Feb 2015

    Het Veem Theater, Amsterdam

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  • Margo van de Linde will present her DasArts Masterproof in Het Veem Theater. Translating Lola is a live talkshow, a double portrait and a game. Two women who work in the arena of sex and seduction translate their roles. Entrance is free but places are limited. Please make reservations in advance: dasarts@ahk.nl

     

  • 8.30pm
  • Free admission; RSVP
  • hetveemtheater.nl
  • Van Diemenstraat 408–410, 3F, 1013 CR Amsterdam
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  • 0304

  • NBprojects

    Antigone

    Nicole Beutler, Ulrike Quade

    3 & 4 Feb 2015

    Espace Jean Vilar, Ifs-Plaine (FR)

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  • Antigone, the first collaborative work by choreographer Nicole Beutler and theatre maker Ulrike Quade, is a visual adaptation of the Greek tragedy written by Sophocles in 442BC. The co-directors couple the themes explored by the original with current issues, focusing on the question of how free our actions truly are. Antigone weighs up the two sisters’ ideas. It’s not easy to take sides with one or the other. What is good; what is evil? Their internal motives are revealed in a manipulative game played between performers and puppets.
The puppets were made in Japan especially for this production by Watanabe Kazunori in the bunraku theatre tradition.

  • 7.30pm
  • €15–3
  • www.espace-jean-vilar.com
  • Square Niederwerrn, 14123 Ifs, France
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  • 0607

  • Univ. of Utrecht

    The Young: What Matters?

    Prof. Maaike Bleeker, Dr. Efrosini Protopapa, a.o.

    6 & 7 Feb 2015

    Cultural Centre Parnassos, Utrecht (NL)

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  • In his essay ‘Research: The Young’ (1989), Roland Barthes refers to research processes that are based on the unity of their groups of authors, rather than a theme, and he specifically focuses on groups comprised of postgraduate students. The success of a piece of research, he posits, does not lie in its ‘result’ (publication), but in its reflexive nature. Therefore, the early stages of research are not necessarily less important than the latter stages, its conclusions. Drawing on Barthes’ ideas, ‘The Young: What Matters?’ constitutes a public platform dedicated to critical voices who are at early stages of their research, aiming to facilitate an exchange of thoughts and practices related to performance, performativity, media, and arts and the humanities at large.

  • See schedule
  • Free admission; RSVP
  • theyoungwhatmatters.com
  • Kruisstraat 201, 3581 GK Utrecht, NL
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  • 0719

  • Kunsthalle Düsseldorf

    Real Humans

    Ian Cheng, Wu Tsang, Jordan Wolfson

    7 Feb-19 Apr 2015

    Kunsthalle Düsseldorf, Düsseldorf (DE)

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  • The Real Humans exhibition presents works by Ian Cheng, Wu Tsang, and Jordan Wolfson, three young American artists, who each in their own way reflect on the conditions of what it means to be a human being in their multimedia pieces.

  • Tue-Sun, 11am-6pm
  • €6–0
  • kunsthalle-duesseldorf.de
  • Grabbeplatz 4, D-40213 Düsseldorf, Germany
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  • 0928

  • NBprojects

    LIEFDESVERKLARING (February tour)

    Nicole Beutler, Magne van den Berg

    9-28 Feb 2015

    Multiple venues in a.o. Leuven (BE), Amersfoort and Breda (NL)

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  • LIEFDESVERKLARING (Declaration of Love) is a re-rendering of Peter Handke’s play Offending the Audience, which caused a sensation in 1966 when it brushed aside every rule of theatre. LIEFDESVERKLARING turns the original text on its head to create a seductive and disorienting ode to theatre and its audience. Six young actors speak, dance and beatbox the words, all carried along by the irresistible electronic beats of DJ and composer Gary Shepherd. Is it dance? Is it drama? Or is it an out-of-control pop-concert? Whatever it is, it will be a thrilling experience. For the full February tour schedule, visit “+” or follow this link.

  • See schedule
  • See schedule
  • nbprojects.nl
  • Multiple venues
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  • 0915

  • Kaaitheater

    Sitting With The Body 24/7

    Heike Langsdorf/ radical_hope

    9-15 Feb 2015

    Muntcentrum/Centre Monnaie, Brussels (BE)

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  • Our lives are governed by an economy that never sleeps. What is its impact on our relationship with time, work and our own body? In Sitting with the Body 24/7, a small group of people retreats into a shop window in the city centre for a week. They perform ordinary activities there: sitting, lying, walking, standing, making things, seeing, dancing and speaking. The fixed timetable and the concentration on one activity at a time are the conditions that provide the opportunity for physical introspection. By tracing and acknowledging physical perceptions and intentions, the performers try to give voice to what usually lies hidden in the human body.

  • 24/7 continuously
  • Free admission
  • kaaitheater.be
  • 5 rue du Fossé aux Loups, 1000 Brussels, Belgium
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  • 1011

  • Het Veem Theater

    []remoTe sense[]

    Rodrigo Sobarzo

    10 & 11 Feb 2015

    De Brakke Grond, Amsterdam

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  • We have arrived in an era where man is the main producer of geological change. In []remoTe sense[] a human figure moves a landscape of salt and light. As a sculptor he shapes the piece of land the way he envisions. Not technically but manually. His work is laborious in the literal sense of a ‘hands on’ action; a mining in salt. Simple and bodily. []remoTe sense[] is part of Something Raw Festival 2015. Visit brakkegrond.nl for the full programme and tickets.

  • Tue, 8:30pm; Wed, 10pm
  • €15–9
  • brakkegrond.nl
  • Nes 45, 1012 KD Amsterdam
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  • 1014

  • De Brakke Grond icw Frascati Theater

    Something Raw Festival

    Florentina Holzinger & Vincent Rietbeek, Michele Rizzo, a.o.

    10-14 Feb 2015

    De Brakke Grond, Amsterdam

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  • Something Raw Festival 2015 focuses on the overriding dominance of pop culture, presenting work by artists who use the language of our popular culture to tell their own stories. By getting to grips with well-known quotes and other elements drawn from film, TV, pop music and internet memes, these artists completely blur the boundaries between art and kitsch, in so doing discovering a beauty all of their own. For the full programme and tickets, visit brakkegrond.nl

  • See programme
  • See programme
  • brakkegrond.nl
  • Nes 45, 1012 KD Amsterdam
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  • 11

  • NBprojects

    4: STILL LIFE

    Nicole Beutler

    11 Feb 2015

    Attakkalari India Biennial, Bangalore (IN)

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  • In 4: STILL LIFE choreographer Nicole Beutler distils elements from the long history of partner dance. Onstage are a woman and a man. Their physicality and actions are guided by the principles of body geometry, and the geometry of space and light. All the elements of the piece are interdependent and composed musically in space and time; leading or following, merging or interfering, distant or intimate. 4: STILL LIFE is a court dance, a mating dance, a play, a ‘Lichtspiel’, a ritual. Beutler drew inspiration from the early twentieth-century Bauhaus movement for this ‘mechanical ballet’ dance duet.

  • 7.30pm
  • Rs. 200
  • www.attakkalaribiennial.org
  • Wilson Garden, 24-04, Bengaluru, 560027, IN
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  • 1214

  • DE BRAKKE GROND ICW FRASCATI THEATER

    Hmm

    Sonja Jokiniemi

    12, 13 & 14 Feb 2015

    De Brakke Grond, Amsterdam

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  • A woman is trying to find her way through a landscape of seemingly random objects. Feeling her way, shuffling, stumbling through a world that seems to have no cohesion; a confusing universe in which objects and sounds have no meaning. Nevertheless, almost inevitably, a narrative emerges. Hmm explores the transition  from indiscriminate sound to language, from senselessness to meaning, from chaos to order. A fascinating trip to the furthest reaches of human experience. Hmm is part of Something Raw Festival 2015. Visit brakkegrond.nl for the full programme and tickets.
  • 7pm
  • €13/11
  • brakkegrond.nl
  • Nes 45, 1012 KD Amsterdam
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  • 1302

  • The Artist’s Institute

    Carolee Schneemann

    Carolee Schneemann

    13 Feb-2 Aug 2015

    The Artist’s Institute, New York (USA)

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  • When Carolee Schneemann entered the neo-avant garde of the 1960s, the materials available to artists had expanded up to an ironic limit: it seemed that a body could use everything but itself. In turning to the body as a material, Schneemann broke this basic conservatism and the taboo of erotic introspection that it had tacitly barred from art’s ongoing project of reflexivity. From February 13th to August 2nd, the Artist’s Institute will dedicate its program to Carolee Schneemann’s expanded conception of the body as a material, exploring its extensions and versatility.

  • Wed-Sun, noon-6pm
  • Free admission
  • theartistsinstitute.org
  • 163 Eldridge St, New York, NY 10002, USA
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  • 1403

  • Wiels

    Body Talk

    Zoulikha Bouabdellah, Marcia Kure, Miriam Syowia Kyambi, a.o.

    14 Feb-3 May 2015

    Wiels, Brussels (BE)

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  • Body Talk: Feminism, Sexuality and the Body in the Work of Six African Women Artists addresses issues of feminism, sexuality and the body, as they play themselves out in the work of a generation of women artists from Africa active since the early 1990s. Bringing together artists from different regions of the continent, this group exhibition strives to define and articulate notions of feminism and sexuality in the work of women artists whose body (their own or that of others) serves as a tool, a representation or a field of investigation. In their work, the body manifests itself, whether sequentially or simultaneously, as a model, support, subject or object.

  • Wed-Sun, 11am–6pm
  • €8–0
  • wiels.org
  • Av. Van Volxemlaan 354, 1190 Brussels, Belgium
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  • 16

  • ISSUE Project Room

    Dawn Kasper, Music For Matter: ENERGY INTO MATTER

    Dawn Kasper

    16 Feb 2015

    Artists Space Books & Talks, New York (USA)

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  • Dawn Kasper’s Music For Matter: ENERGY INTO MATTER, commissioned as part of ISSUE Project Room’s 2015 Artist-In-Residence Program, premieres at Artists Space Books & Talks. Comprised of improvisationally layered archival field recordings, drums, bells, and prerecorded analog sound, Kasper’s new composition is loosely inspired by ‘The Music of The Spheres’, illustrating the movement of the Sun, Moon, and planets as music.

  • 8pm
  • Free admission
  • issueprojectroom.org
  • 55 Walker Street, NYC 10013, New York, USA
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  • 19

  • Het Veem Theater

    Idioter

    Alma Söderberg & Hendrik Willekens

    19 Feb 2015

    STUK Kunstencentrum, Leuven (BE)

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  • In Idioter Alma Söderberg and Hendrik Willekens work together. They create a concert performance where the music supports Alma’s way to intensely play with rhythm and Hendrik’s geometric landscape drawings. First of all there will be music. Idioter is a noisy electronic concert with a strong rhythmical drive. It flirts with concrete music and concrete poetry. Secondly Idioter consists of Hendrik’s drawings. He draws geometrical landscapes disappearing in a single vanishing point. He draws this drawing over and over again, thus expanding the landscape to a theme; again and again you find yourself drawn into the same nothingness.

  • 8pm
  • €10/6
  • stuk.be
  • Naamsestraat 96, Leuven, Belgium
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  • 2031

  • Serralves Museum

    Monika Sosnowska: Architectonisation

    Monika Sosnowska

    20 Feb-31 May 2015

    Serralves Museum of Contemporary Art, Porto (PT)

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  • The Serralves Museum of Contemporary Art presents a major survey of the sculptural works of Monika Sosnowska. ‘Architectonisation’ has been conceived in dialogue with the architecture of the Serralves Museum designed by Álvaro Siza. Presented over seven of its largest galleries, the Museum atrium and the exterior Pátio da Adelina in a progression of installations and objects made between 2003 and the present, the exhibition reveals in breathtaking form the elaboration of an artist who thinks sculpture.

  • Tue-Frid, 10am-5pm; Sat, Sun, 10am-7pm
  • €8,50–0
  • serralves.pt
  • Rua D. João de Castro, 210, 4150-417 Porto, PT
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  • 21

  • Margarita O/ Maria Guggenbichler

    The Anarchist Pattern: Quilt making sessions

    Maria Guggenbichler and Margarita O

    21 Feb 2015

    Various locations in Amsterdam

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  • Quilts, as a female and domestic form of art-making, are not recognized as an art form within the high and fine arts. Yet quilts have fulfilled important communal functions, providing forms of inscription and memory – and mobile pieces of memorization, such as The Names project, an enormous AIDS memorial quilt. The quilting sessions take place on six Saturday afternoons, traveling each time to a different Amsterdam home. Everyone is welcome to join. Please bring fabric and everything else you might have useful for sewing and embroidering, or stitching tools and decorations. Email maria.guggenbichler@gmail.com for further information

  • noon
  • Free admission; RSVP
  • maria.guggenbichler@gmail.com
  • Various locations in Amsterdam
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  • 21

  • Tanzquartier Wien

    o.T. | (the emotionality of the jaw)

    An Ian Kaler

    21 Feb 2015

    Tanzquartier Wien, Vienna (AT)

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  • The title of An Ian Kaler’s new working series – o.T. – is refering to the german acronym „ohne Titel“ (untitled) and at the same time opens up to various (other) readings. In o.T. | (the emotionality of the jaw), the first part of the series, An Ian Kaler further develops his solo-practice. The piece explores states of “dawn/ing” as states of charging (with) energy, states of drifting that correspond to a letting-go (of control) and lead towards an outburst of energy, not as a destructive moment, but as a possibility for re-orientation.

  • 8.30pm
  • €18–7
  • tqw.at
  • Museumsplatz 1, A-1070 Vienna, Austria
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  • 25

  • Birkbeck Univ. of London

    What does the name Yugoslavia mean today?

    Bojan Aleksov, a.o.

    25 Feb 2015

    The Birkbeck Institute for the Humanities, London (UK)

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  • The year 2015 brings two significant anniversaries: the 70th anniversary of the establishment of socialist Yugoslavia, and the 25th anniversary of the introduction of liberal democracy and a free market economy (that signaled not only the end of this socialist project but also, soon after, the end of Yugoslavia itself). The anniversaries offer a chance to reflect on these legacies, their successes and failures, and to consider the ideology and practice of both socialist and liberal-democratic regimes. In this context, we want to ask what is ‘Yugoslavia’ the name of today 25 years after its disappearance?

  • 9.30am
  • Free admission; RSVP
  • bbk.ac.uk
  • Room B34, Birkbeck Main Bldg., Malet Street London, WC1E 7HX UK
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  • 2526

  • De Brakke Grond

    Into The Big World

    David Weber Krebs

    25 & 26 Feb 2015

    De Brakke Grond, Amsterdam (NL)

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  • Is it still possible for us to observe the world objectively, while at the same time changing it so radically? David Weber-Krebs sees the encyclopaedia – an invention of the eighteenth century – as the basis fo modernity. A place for everything and everything in its place: species, genus, family. We studied all the plants on Jamaica, and found the 24 different crabs in the Red Sea. But the longer we go on with this, the more complex it becomes. After all, everything is linked to everything else.

  • 8.30pm
  • €14/10,50/9
  • brakkegrond.nl
  • Nes 45, 1012 KD Amsterdam
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  • 2628

  • Kunstencentrum BUDA

    WE LOVE RADIO!

    Myriam van Imschoot, Mette Edvardsen,a.o.

    26, 27 & 28 Feb 2015

    Kunstencentrum BUDA, Kortrijk (BE)

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  • In a world massively dominated by images, it seems performance artists are paying more and more attention to sound, and – by extension – to Radio. For many contemporary art makers, Radio is not only that good old communication tool, but an extended field of exciting possibilities: disconnecting time and space, voice and body, vision (what you see) and audition (what you hear), it stimulates the imagination of the ones who are listening and turns them into “active spectators” of an imaginary performance, each of them creating their own images for the sounds that enter they ears.

  • See schedule
  • See schedule
  • budakortrijk.be
  • Kapucijnenstraat 10, 8500 Kortrijk, Belgium
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  • 2601

  • Sonic Acts Festival

    Sonic Acts Festival – The Geologic Imagination

    Jananne Al-Ani, John Foxx and Steve D’Agostino, a.o.

    26 Feb-1 Mar 2015

    Mutiple venues in Amsterdam

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  • Since its inception in 1994, the annual Sonic Acts festival has questioned, examined,assembled and exhibited contemporary and historical developments at the cutting edge of the arts, technology, music and science. Sonic Acts Festival – The Geologic Imagination examines how art and science map and document new insights, and how the changes and transformations that occur on a geological scale can become something humans can feel, touch, and experience. Sonic Acts invites artists and theorists to reflect on these transformations and make them imaginable. For the full programme and tickets, visit sonicacts.com

  • See programme
  • See programme
  • sonicacts.com
  • Mutiple venues
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  • 26

  • Rotterdamse Schouwburg

    Swamp Club

    Vivarium Studio/Philippe Quesne

    26 Feb 2015

    Rotterdamse Schouwburg, Rotterdam (NL)

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  • Philippe Quesne describes his new performance as a fantastic, musical urban fable. It is set in an isolated swamp inhabited by strange creatures. In this marshy landscape stands a building on stilts: the Swamp Club. It is an arts centre and residential space for artists. The residents live here together with animals of the water and the forest. They receive artists from Poland or Iceland, as well as a chamber orchestra with which they record classical music. We hear snatches of Shostakovich’s string quartet no. 8 and from Schubert’s Death and the Maiden. When this utopian centre is threatened, the Swamp Club has to come up with a defence strategy.

  • 8.15pm
  • €28–13.50
  • rotterdamseschouwburg.nl
  • Schouwburgplein 25, 3012 CL Rotterdam, NL
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      To top
       

      Letters

      Variations on a cartoon.

      The original.

      Ad Reinhardt (USA, 1913-1967). Painter, satirical cartoonist, art theoretician and teacher. “All you need to make a political cartoon is a picture, some labels and some paste.” Published in the “How to Look-Series”, of the leftist daily P.M.

      More about Reinhardt: http://www.artnews.com/2013/11/13/the-semi-secret-history-of-modernist-comic-artist-ad-reinhardt/

      ad-reinhardtdef

      Since discovering the work of Ad Reinhardt, and this timeless political cartoon, I have been tempted to think about my version of it. But I never sat down and actually started playing with small rectangular paper scraps. Now I did; with scissors, copy machine, black pen and glue as my tools. Very enlightening how visualization works. Imagination is not enough. I had to put different words in the blank labels in order to find out, given the matrix of the original image, what I wanted to convey. It even felt as if I was discovering what exactly matters to me.The key decision was about the new identities of the protagonists. A dozy girl that is promptly saved by an athletic boy: with the best of intentions, but also a bit patronizing, and surely affirming old-fashioned gender stereotypes. But it is not really a scene that invites for militant sarcastic subtitles. Painful, embarrassing physical situations are more appropriate for those kind of cartoons. Of course, at first I wanted to reverse the inscribed power relations of Reinhardt’s cartoon, but the wish to overcome the role-play of ‘the sleepwalker’ and ‘the saviour’ was bigger. What if we help ourselves and each other? The train is coming anyway… in fact, it’s always there, in the back.

      BarbaraVanLindt

      The Do-It-Yourself variation.Because “All you need to make a political cartoon is a picture, some labels and some paste.” Send your variations to info@performance-platform.orgemptydef

      Enjoy and see you somewhere in Amsterdam or abroad, at one of the many listed activities this month.Barbara Van Lindt

      To top
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      • 0515

      • Mu­se­um Lud­wig

        Andrea Büttner. 2

        An­drea Bütt­n­er

        5 Sep-15 Mar 2015

        Mu­se­um Lud­wig, Köln (DE)

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      • The largest room in the Mu­se­um Lud­wig is di­vid­ed in­to two parts, one light and the other dark. In the dark space An­drea Bütt­n­er is show­ing her lat­est video in­s­tal­la­tion, Piano De­struc­tions. Fea­tured here is his­tor­i­cal foo­tage of per­for­mances in which artists — al­most exlu­sive­ly men — de­stroy pianos; as well as a per­for­mance of her own, in which nine fe­male pian­ists play pie­ces by Schu­mann and Chopin in chorus. Two forms of in­ter­act­ing with the piano are jux­ta­posed. This con­fron­ta­tion al­lows for re­newed re­flec­tion on gender issues, on per­for­mance art and the piano as its clas­si­cal prop — ma­nip­u­lat­ed and mal­treat­ed in ev­ery way imag­in­able.

      • Tue–Sun, 10am-6pm
      • €9/7/6
      • museum-ludwig.de
      • Hein­rich-Böll-Platz, 50667 Köln
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      • 2711

      • Museion

        Soleil politique

        Raimund Abraham, Robert Breer, KP Brehmer, Marcel Broodthaers, a.o.

        27 Sep-11 Jan 2015

        Museion, Bolzano (IT)

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      • Soleil politique examines the role of the museum in the urban environment by looking back at the Museion’s history and mission from the perspective of artists in all disciplines: architects, filmmakers, performers, musicians, composers, etc. The exhibition includes models, sculptures, short films, documents and other medium, from major and well-known artists, along with the participation of lesser-known artistic practices.

      • Tue-Sun, 10am–6pm; Thu, 10am–10pm
      • €6/3,5/3
      • museion.it
      • Via Dante 6, 39100 Bolzano, Italy
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      • 1801

      • GfZK

        Creativity Exercises

        Dóra Hegyi, Franciska Zólyom, Zsuzsa László

        18 Oct-1 Feb 2015

        Galerie für Zeitgenössische Kunst, Leipzig (DE)

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      • How people learn, what they know and how it influences their personality, their behaviour and their position in society, is examined from various different perspectives. With a focus on Eastern Europe, “Creativity Exercises” presents historical and contemporary artistic projects that experiment with alternative forms of learning. The exhibition, workshops and lectures look into the inquiring quality of creativity, which is at the same time subversive and constructive: artistic approaches that challenge a wider view of learning, and related social, economic and institutional conditionalities, are introduced and activated.

      • Tue-Fri, 2-7pm; Sat-Sun, 12-6pm
      • €8/5/4/3
      • gfzk-leipzig.de
      • Karl-Tauchnitz-Straße 9-11, 04107 Leipzig, Germany
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      • 2529

      • Extra City

        Allegory of the Cave Painting. The Other Way Around.

        Pavel Büchler, Dan Graham, a.o.

        25 Oct-29 Mar 2015

        Middelheim Museum, Antwerp (BE)

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      • Complementing the exhibition at Extra City, Allegory of the Cave Painting. The Other Way Around in the Braem Pavilion brings together works by Pavel Büchler, Dan Graham, Hans van Houwelingen, Ann Veronica Janssens, Alon Levin, Dóra Maurer, Ciprian Muresan, Navid Nuur, Miklós Onucsán, Erin Shirreff and Paola Yacoub. It is organized in ‘concentric circles’ around a series of sculptures from the Middelheim Museum collection, which are particularly used in the installation of Ciprian Muresan.

      • Tue-Sun; 10am–5pm
      • Free admission
      • extracitykunsthal.org
      • Middelheimlaan 61, 2020 Antwerp, Belgium
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      • 2508

      • La Ferme du Buisson

        The Yvonne Rainer Project, Lives of Performers

        Yvonne Rainer, Yael Davids, a.o.

        25 Oct-8 Feb 2015

        La Ferme du Buisson, Noisiel (FR)

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      • The exhibition Lives of Performers is a tribute to the legendary American dancer, choreographer and filmmaker Yvonne Rainer. The films, photographs, sculptures, paintings and performances, created by a number of artists, question the concept of “liveness”. Born in 1934 and one of the founders of the Judson Dance Theatre, Rainer has been a major influence on subsequent generations of artists. After applying to choreography the results of her research into everyday interplay between the private and the political, she then transposed them into her film work.

      • Wed-Sun; 2–7.30pm
      • Free admission
      • afermedubuisson.com
      • Allée de la Ferme 77186, Noisiel, France
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      • 3122

      • Tropenmuseum

        Grand Parade

        Jompet Kuswidananto

        31 Oct-22 Mar 2015

        Tropenmuseum, Amsterdam

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      • View a unique art installation, specially made for the Tropenmuseum, by the in Asia renowned artist Jompet Kuswidananto, on display from 31 October. Jompet made his name with fascinating groups of life-size mechanical figures in the form of parades, which come into action like a real orchestra at set times. For the first time he’s bringing together these parades in the Great Hall of the Tropenmuseum, thereby creating a new art installation. In his work he shows a constantly changing world and the way in which the identity of individuals and groups change with it.

      • Tue-Sun, 10am–5pm
      • €12,50/11,50/8/4
      • tropenmuseum.nl
      • Linnaeusstraat 2, 1092 CK Amsterdam
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      • 22

      • Van Abbemuseum

        Confessions of the Imperfect

        Fernando García-Dory, Liam Gillick, Wendelien van Oldenborgh, a.o.

        22 Nov 2014

        Van Abbemuseum, Eindhoven (NL)

      • READ MORE
      • Confessions of the Imperfect is an exhibition on art, design, life and work, structured as a practical and experiential survey of the modern world. The exhibition presents a diverse mix of historical material, design and contemporary art projects to reflect on but also to use. It takes its title from the Romantic art critic and social reformer John Ruskin, who in Stones of Venice (1869), presented a holistic and ecological view on the relation between art and life as a perpetual and necessary struggle with human imperfection.

      • Tue-Sun, 11am–5pm
      • €18/12/9/6
      • vanabbemuseum.nl
      • Bilderdijklaan 10, 5611 NH Eindhoven, The Netherlands
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      • 0214

      • NYU Steinhardt

        Learn to Read Art: A Surviving History of Printed Matter

        Printed Matter, Inc.

        2 Dec-14 Feb 2015

        80WSE gallery, New York (USA)

      • READ MORE
      • 80 WSE Gallery is pleased to present Learn to Read Art: A Surviving History of Printed Matter, an exhibition chronicling the thirty-nine year history of iconic artist’s book organization Printed Matter, and subsequently the larger history of artists’ book production from the 1970’s through the present. Please note the 80WSE gallery will be closed for winter break December 20th – January 5th.

      • Tue-Sat, 10.30am-6pm
      • Free admission
      • steinhardt.nyu.edu
      • 80 Washington Square East, New York, NY (USA)
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      • 0131

      • Stedelijk Museum

        A year at the Stedelijk: Tino Sehgal

        Tino Sehgal

        1 Jan-31 Dec 2015

        Stedelijk Museum, Amsterdam

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      • The first major survey of the German/British artist Tino Sehgal marks the new directorate of Beatrix Ruf. Taking place in 2015, the overview unfolds in 12 chapters. Conceived as a consecutive series of presentations, the exhibition features different work from Sehgal’s oeuvre each month, enacted in a different gallery space. Sehgal’s twelve-part survey is not only a prelude to a fresh approach to using the building under the new directorship but also an innovative re-envisioning of the exhibition as phenomenon.

      • Daily, 10am-6pm; Thurs 10am-10pm
      • € 15/7,50/3,50/0
      • stedelijk.nl
      • Museumplein 10, 1071 DJ Amsterdam
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      • 0829

      • NBprojects i.c.w. ICKamsterdam

        5: ECHO (January tour)

        Nicole Beutler

        8-29 Jan 2015

        Multiple venues in a.o. Tilburg, Rotterdam, and Breda (NL)

      • READ MORE
      • In 5: ECHO, choreographer Nicole Beutler enters into a dialogue with the history of dance. Past, present and future flow into each other in this magical ritual. 5: ECHO has two parts. Part one is inspired by the radical performative work by Koert Stuyf and Ellen Edinoff, who blew up the conventions of the art of dance in the Netherlands in the 70’s. For part two Beutler reworked the choreography Vermiljoen (1978, Bianca van Dillen, Dansproduktie) creating a piece for six dancers as collective body in a ritualistic journey, oscillating between past, present and a potential future. For more information and the full January tour schedule, visit “+” or follow this link.

      • See schedule
      • See schedule
      • nbprojects.nl
      • Multiple venues
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      • 0911

      • Artist Organizations International

        Artist Organisations International

        Florian Malzacher, Jonas Staal, Joanna Warsza

        9, 10 & 11 Jan 2015

        HAU Hebbel am Ufer, Berlin (DE)

      • READ MORE
      • Artist Organizations International (AOI) brings together around thirty-five representatives of organizations from all over the world founded by artists which confront today’s crises in politics, economy, education, immigration or ecology. Artist Organizations International explores the current shift from artists working in the form of temporary, precarious projects to building long-term structures. Which specific artistic value and power do such organisations have? And what could be their concrete impact when connecting their various political and social struggles?

      • t.b.a
      • t.b.a.
      • hebbel-am-ufer.de
      • Stresemannstr. 29, 10963 Berlin, Germany
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      • 0910

      • Kaaitheater

        Built to Last

        Damaged Goods / Meg Stuart & Münchner Kammerspiele

        9 & 10 Jan 2015

        Kaaitheater, Brussels (BE)

      • READ MORE
      • In Built to Last, Meg Stuart lays bare the ultimate human condition: longing and powerlessness, ambition and ignorance, the grandeur of a concept and the humility of mankind. In Built to Last Meg Stuart works for the first time with existing classical music. The sound recording, a historical meta-composition by music dramaturge Alain Franco, acts as a time machine. Each of the tracks, by Sergei Rachmaninoff, Ludwig van Beethoven, Iannis Xenakis and Arnold Schönberg amongst others, reflects an overwhelming sense of monumentality.

      • 8.30pm
      • €16/12/8
      • kaaitheater.be
      • 20 square Sainctelette, 1000 Brussels, Belgium
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      • 0910

      • Kaaitheater

        A History of Editing: Editing History – on the soundtrack in ‘Built to Last’

        Alain Franco

        9 & 10 Jan 2015

        Kaaitheater, Brussels (BE)

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      • For her first creation using classical music, Built to Last (2012), choreographer Meg Stuart invited music dramaturge Alain Franco to collaborate with her. In his talk Franco gives his personal view of monumentality and stability in society and in music. Our culture is very attached to constancy and depends on continuity across generations. Franco critically examines the cultural function of music and classicism and explains his non-chronological selection and juxtaposition of music in Built to Last.

      • 7pm
      • Free admission; RSVP
      • kaaitheater.be
      • 20 square Sainctelette, 1000 Brussels, Belgium
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      • 1017

      • If I Can't Dance

        How We Behave

        Grant Watson (curator)

        10-17 Jan 2015

        Nottingham Contemporary; The Space, Nottingham (UK)

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      • How We Behave, curated by Grant Watson and commissioned by If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, is inspired by an interview of the same name with Michel Foucault published in Vanity Fair in 1983, in which Foucault asked – why can’t life be ‘the material for a work of art?’ In more than fifty interviews, conducted in New York, São Paulo, Los Angeles, San Francisco, London and Amsterdam, the project explores how people shape their lives. Presented is a selection of these filmed portraits shown alongside material relating to the overall project which will provide the setting for discussion on Foucault’s concept of life as a work of art.

      • Tue-Fri, 10am-6pm; Sun, 11am-5pm
      • Free admission
      • nottinghamcontemporary.org
      • Weekday Cross, Nottingham NG1 2GB, United Kingdom
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      • 10

      • If I Can't Dance

        I See/La Camera: I (Book launch)

        Jacob Korczynski

        10 Jan 2015

        Art Metropole, Toronto (CA)

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      • On 10 January from 3–5pm I See/La Camera: I, published by If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution, will be presented at Art Metropole in Toronto, with an introduction by its author and editor, Jacob Korczynski. I See/La Camera: I is the outcome of an extensive research project into Babette Mangolte’s film The Camera: Je, La Camera: I (1977), and Lucy Lippard’s novel I See/You Mean (1979). It investigates the relationship between the subjective role of the camera in Mangolte’s film and the simultaneous exploration of text and image in Lippard’s novel, situating both works in the context of feminist strategies of self-portraiture.

      • 3pm
      • Free admission
      • artmetropole.com
      • 1490 Dundas Str. West, Toronto ON, CA, M6K 1T5
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      • 1028

      • Ellen de Bruijne Proj. icw Kunstverein

        Present

        Dorothé Orczyk (curator)

        10 Jan-28 Feb 2015

        Ellen de Bruijne Projects, Amsterdam

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      • From 10 January – 28 February 2015 Ellen de Bruijne Projects, in collaboration with Kunstverein Amsterdam, will present different performances every week by the following artists: Kerstin Cmelka, Jeremiah Day, Uta Eisenreich & Eva Meyer-Keller, Louise Hervé & Chloé Maillet, I’m with her records, Sarah van Lamsweerde, Erkka Nissinen, Janneke van Raaphorst, and Geo Wyeth. For more information and updates on the programme, visit: edbprojects.com

      • See programme
      • See programme
      • edbprojects.com
      • Rozengracht 207 A, 1016 LZ Amsterdam
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      • 12

      • ICI Berlin

        Theory of the Gimmick (lecture)

        Sianne Ngai

        12 Jan 2015

        ICI Berlin, Berlin (DE)

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      • Extending her previous book’s focus on equivocal aesthetic categories (such as the merely “interesting”) and with an eye to the special difficulties posed by the very idea of an aesthetics of production (as opposed to reception), Sianne Ngai in this talk explores the repulsion that the gimmick produces and its ideological implications across a range of cultural forms, including a prestigious literary genre we might not immediately associate with such a compromised aesthetic device: the so-called philosophical novel or novel of ideas.

      • 7.30pm
      • Free admission
      • ici-berlin.org
      • Christinenstraße 18/19, Haus 8, D – 10119 Berlin, DE
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      • 1416

      • UNDER THE RADAR FESTIVAL

        Reggie Watts

        Reggie Watts

        14, 15 & 16 Jan 2015

        The Public Theater, New York (USA)

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      • The performer is present. In an attempt to channel the illusory presence of the artist, avowed disinformationist Reggie Watts invites you to sit across from him. But just for five minutes. Reggie Watts, internationally renowned vocalist/ beatboxer/ musician/ comedian/ improviser, amazes audiences with his unpredictable performances, which are created on-the-spot using only his formidable voice and looping pedals.

      • 14/01, 8pm; 16/01, 7pm
      • Free admission
      • publictheater.org
      • 425 Lafayette Street, New York, NY 10003, USA
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      • 1617

      • Haus der Kulturen der Welt

        Radical Philosophy Conference 2015

        Fahim Amir, Claudia Aradau, a.o.

        16 & 17 Jan 2015

        Haus der Kulturen der Welt, Berlin (DE)

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      • For the first time, the Radical Philosophy Conference takes places in Germany and discusses topics such as Acceleration & the New, Artistic Strike, Secrecy & Surveillance, Queer Theory & Geopolitics, Pedagogization, Philosophy of the Essay-Film, Animalities, On Organization. For more information and the full programme, visit: hkw.de

      • see programme
      • Free admission
      • hkw.de
      • John-Foster-Dulles-Allee 10, 10557 Berlin, Germany
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      • 1617

      • DAS Graduate School

        DasArts Open Weekend

        Agustina Muñoz and Leila Anderson, Mor Shani, Lucia Marneañu, Orion Maxted, Ahmed Khaled, a.o.

        16 & 17 Jan 2015

        DAS Graduate School, Amsterdam

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      • DasArts looks forward to welcoming you on the 16th and 17th of January 2015. As part of our Open Weekend, there will be performances by current DasArts students on both days. On 16 January at 8pm, Agustina Muñoz and Leila Anderson will present the performances they recently developed at DasArts. Mor Shani will show Ecclesiastes, the film he produced this semester. Saturday 17 January is a great occasion to discover more about the DasArts programme. Get to know the current students, alumni and the DasArts team. For more information and the full programme of performances, visit www.dasarts.nl

      • Fri, 8pm; Sat, 2pm-7pm
      • Free admission; RSVP
      • dasarts@ahk.nl
      • Overhoeksplein 2 1031 KS Amsterdam
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      • 17

      • Het Veem Theater

        Knock down the entrance door of the cinema

        Esther Arribas, Matías Daporta

        17 Jan 2015

        Het Veem Theater, Amsterdam

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      • In Knock down the entrance door of the cinema artists Esther Arribas and Matias Daporta are making a movie. The audience is watching two of their recently made performances (South, and Funerals, welcome)  but are finding themselves at the same time on a film set, in which they operate as extras. Besides directing the film Esther and Matias thus also appear as artists (themselves) in the movie, that tells the story of Georgia – a murderer that kills artists. Knock down the entrance door of the cinema is a thriller that you don’t watch but become part of.

      • 7pm
      • €15/12/10/7
      • hetveemtheater.nl
      • Van Diemenstraat 408–410, 3F, 1013 CR Amsterdam
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      • 1722

      • Onomatopee

        A Romance in Five Acts and Twenty-One Englishes

        Nicoline van Harskamp

        17 Jan-22 Feb 2015

        Onomatopee, Eindhoven (NL)

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      • In a solo exhibition at Onomatopee, Nicoline van Harskamp brings together three works in a new, still on-going series on the topic of the future of the English language. In collaboration with art institutions throughout Europe, each work will be conceived as an experiment on the different linguistic phenomena associated with the global use of spoken English, by people for whom the language is not their ‘mother tongue’. The opening programme (January 17, 4.30pm) features a live staging of A Romance in Five Acts and Twenty-One Englishes, featuring Mark Bellamy, Cézanne Tegelberg, Claire King, Mark Kingsford and Ralph de Rijke.

      • Thurs-Sat, 1–5pm
      • Free admission
      • onomatopee.net
      • Hallenweg 1c, 5615 PP Eindhoven, The Netherlands
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      • 20

      • Stadsschouwburg Amsterdam

        Built to Last

        Damaged Goods / Meg Stuart & Münchner Kammerspiele

        20 Jan 2015

        Stadsschouwburg Amsterdam, Amsterdam

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      • In Built to Last, Meg Stuart lays bare the ultimate human condition: longing and powerlessness, ambition and ignorance, the grandeur of a concept and the humility of mankind. In Built to Last Meg Stuart works for the first time with existing classical music. The sound recording, a historical meta-composition by music dramaturge Alain Franco, acts as a time machine. Each of the tracks, by Sergei Rachmaninoff, Ludwig van Beethoven, Iannis Xenakis and Arnold Schönberg amongst others, reflects an overwhelming sense of monumentality.

      • 8pm
      • €37,50–20
      • stadsschouwburgamsterdam.nl
      • Leidseplein 26, 1017 PT Amsterdam
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      • 20

      • Movement Research

        Studies Project: The Role of Class in Current Dance Practices

        Michelle Boulé, Jeanine Durning, a.o.

        20 Jan 2015

        Gibney Dance, New York (USA)

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      • Come listen in on a series of brief and intimate discussions with various teaching artists, addressing questions and ideas about dance and movement-based class through their own practices and histories. Afterwards, everyone present is invited to actively participate in smaller group conversations with an opportunity to share insights and proposals with the larger group.

      • 6.15pm
      • Free admission
      • gibneydance.org
      • 890 Broadway, Fifth Floor, NY, New York 10003, USA
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      • 21

      • CFR, Goldsmiths

        Pathologies of the Perfect: Femininity as Competition in Neo-Liberal Times

        Angela McRobbie

        21 Jan 2015

        Goldsmiths; RHB Cinema, London (UK)

      • READ MORE
      • More information will follow soon.

      • 5pm
      • Free admission
      • gold.ac.uk
      • New Cross, London, SE14 6NW, United Kingdom
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      • 2324

      • Frascati Theater

        RULE™

        Emke Idema

        23 & 24 Jan 2015

        Frascati Theater, Amsterdam

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      • In Nederland leven naar schatting 150.000 mensen buiten de wet; zij hebben geen rechten. Hoe verhouden we ons tot dit onoverzichtelijk grote, maar urgente probleem? Als je geen activist of politicus bent, hoe kun je dan toch nadenken over migratie en illegaliteit? Hoe kun je bijdragen aan de situatie? Is er een betrokken ruimte mogelijk tussen sociaal-activisme en politieke macht in? RULE™ is een speels en theatraal platform rondom jouw persoonlijke politiek. Een theatrale ervaring, een ontmoetingsplek, een politieke speeltuin, een miniatuursamenleving.

      • 7.30pm
      • €15/11,50
      • frascatitheater.nl
      • Nes 63, 1012 KD Amsterdam
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      • 2425

      • NBprojects

        2: Dialogue With Lucinda

        Nicole Beutler

        24 & 25 Jan 2015

        Mercat De Les Flors, Barcelona (ES)

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      • Fascinated by the radical and deceptively simple minimalism of Lucinda Childs’ early work, Beutler chose to remake two of her silent dance pieces, Radial Courses (1976) and Interior Drama (1977), setting the latter to a specially composed work by DJ/producer Gary Shepherd. Radial Courses is based on three movement sequences in a constantly shifting, circulatory composition. In Interior Drama five dancers conform to an apparently perfect system, moving in repetitive patterns. Beutler’s reinterpretations centre on the individual dancer’s efforts and responsibilities within the group patterns, revealing parallel realities and the ritualistic qualities of both dances.

      • 8.30pm
      • €12
      • mercatdelesflors.cat
      • Lleida, 59, 08004 Barcelona, Spain
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      • 24

      • If I Can't Dance

        Mother Earth Breathing: The Garden

        Sara van der Heide

        24 Jan 2015

        International Film Festival Rotterdam; LantarenVenster 6, Rotterdam (NL)

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      • Sara van der Heide’s film Mother Earth Breathing: The Garden will be screened at the International Film Festival Rotterdam on Saturday 24 January at 7.15pm. Mother Earth Breathing: The Garden is a travelogue in form, colour and rhythm, of the artist’s repeated encounters with nature’s manifestations. Van der Heide speaks to our biological clock by showing a rhythmic montage of images of growth and decomposition that she filmed in her garden during one year. The film is part of Mother Earth Breathing, a work that encompasses a second film and a performance, and that was commissioned by If I Can’t Dance as part of Edition V (2013–2014).

      • 7.15pm
      • iffr.com
      • Otto Reuchlinweg 996, 3072 MD Rotterdam, NL
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      • 2801

      • Frascati Theater

        Inventaris van onmacht

        Edit Kaldor, Andreas Bachmair, Jurrien van Rheenen, Kobbe Koopman, a.o.

        28 Jan-1 Feb 2015

        Frascati Theater, Amsterdam

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      • Laten we beginnen bij het begin. Wat is er mis? Wat zou je willen veranderen, als je maar kon? In je eigen leven, in de maatschappij, in de wereld? Bij velen lijken gevoelens van verontwaardiging over kleine en grote misstanden tegenwoordig te stranden in onmacht. Theatermaakster Edit Kaldor besloot het potentieel tot verandering open te breken met een initiatief van onderaf.  In Nederland, Tsjechië, Duitsland en Polen organiseerde zij kleinschalige bijeenkomsten waarin stadgenoten uiteenlopende ervaringen van onmacht uitwisselden, even zovele kritische kanttekeningen bij de structuren waarin we leven.

      • 8.30pm
      • €15/11,50
      • frascatitheater.nl
      • Nes 63, 1012 KD Amsterdam
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      • 30

      • Het Veem Theater

        Experiment#3 – IMPRO JAM

        Fernando Belfiore

        30 Jan 2015

        Het Veem Theater, Amsterdam

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      • With his Experiment series choreographer Fernando Belfiore creates new spaces for interaction and mobilisation in the dance scene. The Experiments are encounters within a playful setting based on improvisation and interaction, and explore new formats of spectating and to focus on collective experience. After two previous editions, Fernando Belfiore creates a third encounter in Het Veem Theater. This time he works with and from the format of the Improvisation Battle, which is based on battle formats from dance styles and follows the idea of the improvisation jam.

      • 8pm
      • €10/7/5
      • hetveemtheater.nl
      • Van Diemenstraat 408–410, 3F, 1013 CR Amsterdam
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      • 3015

      • Kunsthalle Basel

        Ongoing Retrospective (Chapter 1)

        Zhana Ivanova

        30 Jan-15 Feb 2015

        Kunsthalle Basel, Basel (CH)

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      • Performance artist Zhana Ivanova (*1977) will have her first institutional solo show at Kunsthalle Basel. The nature of her performances often involves revealing, on the one hand, the underlying codes, rules, and structures in society, and, on the other hand, a form of prediction or future tense; thus her exhibition proposes to operate a bit like her work, revealing something about the codes, rules, and structures of exhibition making and setting those into an indeterminate future. Ongoing Retrospective reverses the typical nature of the retrospective—as something that comes at the end of an older artist’s career and looks back—since here we will start at the beginning of this young artist’s career and look forward.

      • Tue-Fri, 11am-6pm; Sat, Sun, 11am-5pm
      • n/a
      • kunsthallebasel.ch
      • Steinenberg 7, 4051 Basel, Switzerland
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          • 0515

          • Mu­se­um Lud­wig

            Andrea Büttner. 2

            An­drea Bütt­n­er

            5 Sep-15 Mar 2015

            Mu­se­um Lud­wig, Köln (DE)

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          • The largest room in the Mu­se­um Lud­wig is di­vid­ed in­to two parts, one light and the other dark. In the dark space An­drea Bütt­n­er is show­ing her lat­est video in­s­tal­la­tion, Piano De­struc­tions. Fea­tured here is his­tor­i­cal foo­tage of per­for­mances in which artists — al­most exlu­sive­ly men — de­stroy pianos; as well as a per­for­mance of her own, in which nine fe­male pian­ists play pie­ces by Schu­mann and Chopin in chorus. Two forms of in­ter­act­ing with the piano are jux­ta­posed. This con­fron­ta­tion al­lows for re­newed re­flec­tion on gender issues, on per­for­mance art and the piano as its clas­si­cal prop — ma­nip­u­lat­ed and mal­treat­ed in ev­ery way imag­in­able.

          • Tue–Sun, 10am-6pm
          • €9/7/6
          • museum-ludwig.de
          • Hein­rich-Böll-Platz, 50667 Köln
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          • 2529

          • Extra City

            Allegory of the Cave Painting. The Other Way Around.

            Pavel Büchler, Dan Graham, a.o.

            25 Oct-29 Mar 2015

            Middelheim Museum, Antwerp (BE)

          • READ MORE
          • Complementing the exhibition at Extra City, Allegory of the Cave Painting. The Other Way Around in the Braem Pavilion brings together works by Pavel Büchler, Dan Graham, Hans van Houwelingen, Ann Veronica Janssens, Alon Levin, Dóra Maurer, Ciprian Muresan, Navid Nuur, Miklós Onucsán, Erin Shirreff and Paola Yacoub. It is organized in ‘concentric circles’ around a series of sculptures from the Middelheim Museum collection, which are particularly used in the installation of Ciprian Muresan.

          • Tue-Sun; 10am–5pm
          • Free admission
          • extracitykunsthal.org
          • Middelheimlaan 61, 2020 Antwerp, Belgium
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          • 3122

          • Tropenmuseum

            Grand Parade

            Jompet Kuswidananto

            31 Oct-22 Mar 2015

            Tropenmuseum, Amsterdam

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          • View a unique art installation, specially made for the Tropenmuseum, by the in Asia renowned artist Jompet Kuswidananto, on display from 31 October. Jompet made his name with fascinating groups of life-size mechanical figures in the form of parades, which come into action like a real orchestra at set times. For the first time he’s bringing together these parades in the Great Hall of the Tropenmuseum, thereby creating a new art installation. In his work he shows a constantly changing world and the way in which the identity of individuals and groups change with it.

          • Tue-Sun, 10am–5pm
          • €12,50/11,50/8/4
          • tropenmuseum.nl
          • Linnaeusstraat 2, 1092 CK Amsterdam
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          • 0131

          • Stedelijk Museum

            A year at the Stedelijk: Tino Sehgal

            Tino Sehgal

            1 Jan-31 Dec 2015

            Stedelijk Museum, Amsterdam

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          • The first major survey of the German/British artist Tino Sehgal marks the new directorate of Beatrix Ruf. Taking place in 2015, the overview unfolds in 12 chapters. Conceived as a consecutive series of presentations, the exhibition features different work from Sehgal’s oeuvre each month, enacted in a different gallery space. Sehgal’s twelve-part survey is not only a prelude to a fresh approach to using the building under the new directorship but also an innovative re-envisioning of the exhibition as phenomenon.

          • Daily, 10am-6pm; Thurs 10am-10pm
          • € 15/7,50/3,50/0
          • stedelijk.nl
          • Museumplein 10, 1071 DJ Amsterdam
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          • 0719

          • Kunsthalle Düsseldorf

            Real Humans

            Ian Cheng, Wu Tsang, Jordan Wolfson

            7 Feb-19 Apr 2015

            Kunsthalle Düsseldorf, Düsseldorf (DE)

          • READ MORE
          • The Real Humans exhibition presents works by Ian Cheng, Wu Tsang, and Jordan Wolfson, three young American artists, who each in their own way reflect on the conditions of what it means to be a human being in their multimedia pieces.

          • Tue-Sun, 11am-6pm
          • €6–0
          • kunsthalle-duesseldorf.de
          • Grabbeplatz 4, D-40213 Düsseldorf, Germany
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          • 1302

          • The Artist’s Institute

            Carolee Schneemann

            Carolee Schneemann

            13 Feb-2 Aug 2015

            The Artist’s Institute, New York (USA)

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          • When Carolee Schneemann entered the neo-avant garde of the 1960s, the materials available to artists had expanded up to an ironic limit: it seemed that a body could use everything but itself. In turning to the body as a material, Schneemann broke this basic conservatism and the taboo of erotic introspection that it had tacitly barred from art’s ongoing project of reflexivity. From February 13th to August 2nd, the Artist’s Institute will dedicate its program to Carolee Schneemann’s expanded conception of the body as a material, exploring its extensions and versatility.

          • Wed-Sun, noon-6pm
          • Free admission
          • theartistsinstitute.org
          • 163 Eldridge St, New York, NY 10002, USA
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          • 1403

          • Wiels

            Body Talk

            Zoulikha Bouabdellah, Marcia Kure, Miriam Syowia Kyambi, a.o.

            14 Feb-3 May 2015

            Wiels, Brussels (BE)

          • READ MORE
          • Body Talk: Feminism, Sexuality and the Body in the Work of Six African Women Artists addresses issues of feminism, sexuality and the body, as they play themselves out in the work of a generation of women artists from Africa active since the early 1990s. Bringing together artists from different regions of the continent, this group exhibition strives to define and articulate notions of feminism and sexuality in the work of women artists whose body (their own or that of others) serves as a tool, a representation or a field of investigation. In their work, the body manifests itself, whether sequentially or simultaneously, as a model, support, subject or object.

          • Wed-Sun, 11am–6pm
          • €8–0
          • wiels.org
          • Av. Van Volxemlaan 354, 1190 Brussels, Belgium
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          • 2031

          • Serralves Museum

            Monika Sosnowska: Architectonisation

            Monika Sosnowska

            20 Feb-31 May 2015

            Serralves Museum of Contemporary Art, Porto (PT)

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          • The Serralves Museum of Contemporary Art presents a major survey of the sculptural works of Monika Sosnowska. ‘Architectonisation’ has been conceived in dialogue with the architecture of the Serralves Museum designed by Álvaro Siza. Presented over seven of its largest galleries, the Museum atrium and the exterior Pátio da Adelina in a progression of installations and objects made between 2003 and the present, the exhibition reveals in breathtaking form the elaboration of an artist who thinks sculpture.

          • Tue-Frid, 10am-5pm; Sat, Sun, 10am-7pm
          • €8,50–0
          • serralves.pt
          • Rua D. João de Castro, 210, 4150-417 Porto, PT
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          • 2601

          • Sonic Acts Festival

            Sonic Acts Festival – The Geologic Imagination

            Jananne Al-Ani, John Foxx and Steve D’Agostino, a.o.

            26 Feb-1 Mar 2015

            Mutiple venues in Amsterdam

          • READ MORE
          • Since its inception in 1994, the annual Sonic Acts festival has questioned, examined,assembled and exhibited contemporary and historical developments at the cutting edge of the arts, technology, music and science. Sonic Acts Festival – The Geologic Imagination examines how art and science map and document new insights, and how the changes and transformations that occur on a geological scale can become something humans can feel, touch, and experience. Sonic Acts invites artists and theorists to reflect on these transformations and make them imaginable. For the full programme and tickets, visit sonicacts.com

          • See programme
          • See programme
          • sonicacts.com
          • Mutiple venues
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          • 0315

          • TNA, CCS

            Milo Rau/IIPM retrospective

            Milo Rau/IIPM

            3-15 Mar 2015

            Théâtre Nanterre-Amandiers and Centre Culturel Suisse Paris, Paris (FR)

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          • The Théâtre Nanterre-Amandiers and the Centre Culturel Suisse Paris present the first major Milo Rau/IIPM retrospective in France. Considered as one of “Europe’s most sought-after” (La Libre Belgique) and “most controversial” (Der Freitag) directors working today, the Paris retrospective gathers 6 of Milo Rau’s most significant theatre & film productions. An overall view of IIPM’s artistic path and changing styles. The shows are accompanied by discussion panels, artist conversations and a seminar, focusing on the esthetics and political backgrounds of productions like Breivik’s Statement, The Moscow Trials or The Civil Wars.

          • See schedule
          • See schedule
          • facebook.com
          • Multiple venues
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          • 0408

          • Het Veem Theater

            Black on Black

            Marta Ziólek

            4-8 Mar 2015

            Het Veem Theater, Amsterdam

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          • Black on Black is the title of a series of black paintings by the Russian artist Alexander Rodchenko. By using black paint as the base for these paintings, he found a way to create depth and to move beyond the canvas’ surface. The medium expands. “Nothing but painting exists.” The viewer gets sucked in. Using layers of black creates a tension between visibility and invisibility; it shifts the focus to material and motional aspects, to construction and form. Black creates discontinuity with the work; something is moving off the medium. Marta Ziólek’s Black on Black is a détournement on this way of thinking: a hijack into the blackness of motion and textually.

          • Wed-Sat, 8.30pm; Sun, 4pm
          • €15/12/10/5
          • hetveemtheater.nl
          • Van Diemenstraat 408–410, 3F, 1013 CR Amsterdam
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          • 0407

          • Frascati Theater

            Clubbing

            Keren Levi, Tom Parkinson, De Coproducers

            4-7 Mar 2015

            Frascati Theater, Amsterdam

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          • In one way, Clubbing, a new work by long-term collaborators choreographer Keren Levi and composer Tom Parkinson, is simply an invitation to listen to movement, but it is far more than a formal experiment. Small gestures and tiny sounds accumulate over time to make a powerful and exquisitely tense environment. Violence hides just beneath the surface of a world created by six women with wooden clubs, percussion, cello and live sound effects. Activities and sounds are layered on top of each other: speech becomes music, notes become language, weapons become instruments.

          • 8pm
          • €17/13,50
          • frascatitheater.nl
          • Nes 63, 1012 KD Amsterdam
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          • 0507

          • SNDO

            SNDO PRESENTS: A DROP OF TEAR IN THE FIELD OF GLORY

            graduate students SNDO

            5, 6 & 7 Mar 2015

            Frascati Theater, Amsterdam

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          • Graduate students of the SNDO present their work in two parts, two weekends and two venues. Jija Sohn, Paula Chaves, Riccardo Guratti and Burkhard Körner show their work in Het Veem Theater; Aleksandra Lemm, Oneka von Schrader and Giuseppe Vincent Giampino present their work in Frascati. In autumn 2014, the students left the Netherlands for their internship period. They were looking beyond the borders of the school. There, in the unknown, they rediscovered dance, performance and choreography from different perspectives. Coming back from these experiences this new generation is ready to show their fresh understanding of dance and choreography.

          • 8pm
          • €11/7,50
          • frascatitheater.nl
          • Nes 63 1012 KD Amsterdam
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          • 0620

          • WhyNot

            March 6, 13, 20: WhyNot x Van Gogh Museum

            Simon Tanguy, a.o.

            6-20 Mar 2015

            Van Gogh Museum, Amsterdam

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          • With the WhyNot festival coming up this summer, WhyNot organizes three evenings with dance, performance and music in the Van Gogh museum on Friday 6, 13 and 20 March. With the launch of the pilot of the interactive performance app i_Perform and with the award-winning work of choreographer Simon Tanguy – Japan – WhyNot searches for a physical translation of Van Gogh’s complex inner emotions. WhyNot invites you to delve into the psyche of emerging choreographers, dancers, musicians and museum visitors while enjoying cocktails, visuals, a DJ and of course the works of Van Gogh himself. For the the full programme and tickets, visit: festivalwhynot.tumblr.com

          • 8pm and 9pm
          • €15/12/0
          • festivalwhynot.tumblr.com
          • Paulus Potterstraat 7, 1071 CX Amsterdam
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          • 0623

          • mumok

            My Body is the Event – Vienna Actionism and International Performance

            Günter Brus, Hermann Nitsch, a.o.

            6 Mar-23 Aug 2015

            mumok, Vienna (AT)

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          • Museum moderner Kunst Stiftung Ludwig Wien (mumok) is presenting its collection focus on Vienna Actionism in the context of international developments in performance-based art. Whereas previous mumok shows of Vienna Actionism always concentrated on the pictorial artifacts of the movement’s main protagonists, the focus of this exhibition is on the performative aspects of their creative work. Actions by Günter Brus, Hermann Nitsch, Otto Muehl, and Rudolf Schwarzkogler will be contrasted with works by significant international practitioners of performance art, with works by Marina Abramovic, Joseph Beuys, Chris Burden, Jon Grigorescu, amongst others.

          • Mon, 2pm; Tue-Sun, 10am
          • €10–0
          • mumok.at
          • Museumsplatz 1, 1070 Vienna, Austria
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          • 07

          • Wikipedia Art+Feminism group

            Wikipedia Art+Feminism group Edit-a-thon 2015

            Everybody is welcome

            7 Mar 2015

            Stedelijk Museum; library, Amsterdam

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          • Following last year’s massively successful edition, the Art+Feminism group has announced a second Wikipedia Edit-a-Thon, designed to start closing Wikipedia’s gender gap, for March 7. This year’s Edit-a-Thon will be a larger, more high-profile event than last year’s. The Museum of Modern Art in New York, the Stedelijk Museum in Amsterdam, and the Los Angeles County Museum of Art are among the 55-plus satellite locations that will participate across the world, where participants will create and edit articles about female artists, feminist art scholarship, and feminist art movements. RSVP by filling out the registration form.

          • 1pm
          • Free admission; RSVP
          • nl.wikipedia.org
          • Museumplein 10, 1071 DJ Amsterdam
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          • 07

          • GIRLS LIKE US, a.o.

            UNFILTERED – A Party By Girls Like Us, Butcher’s Tears & The Side Room

            Echo & Seashell, a.o.

            7 Mar 2015

            Butcher’s Tears, Amsterdam

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          • UNFILTERED is back for an evening full of celebrating all things female! Zhala (live), Echo & Seashell (live), DJ lynnee Denise, DJ Mylou Oord, DJ Boris Becker, B2B DJ Chain with the DJ-workshop for women. Lost property presents: Masha Tupitsyn’s ‘Love Sounds’ (4-hour audio film). Cocktails by Byrthe Lemmens. Decoration by Felicia von Zweigbergk.

          • 8pm
          • €8
          • facebook.com
          • Karperweg 45, 1061CM Amsterdam
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          • 1115

          • Cinedans

            Cinedans – Dance on Screen Festival

            Jirí Kylián, Sasha Waltz, Ann Van den Broek, a.o.

            11-15 Mar 2015

            EYE Film Institute, Amsterdam

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          • Cinedans – Dance on Screen is the biggest and most diverse dance film festival in the world, and it’s returning to the EYE in Amsterdam from 11 to 15 March 2015. Over the course of five days this twelfth edition of Cinedans will present the best new international dance films, documentaries and interactive installations. The festival programme includes documentaries on Jirí Kylián and Sasha Waltz as well as premieres from ISH choreographer Marco Gerris and director Ruben van Leer – the first to shoot a fictional film in CERN, the particle accelerator in Geneva.

          • see programme
          • see programme
          • eyefilm.nl
          • IJpromenade 1, 1031 KT Amsterdam
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          • 1214

          • Frascati Theater

            Fraslab 1

            Pedro Manuel, Marijn Brussaard

            12, 13 & 14 Mar 2015

            Frascati Theater, Amsterdam

          • READ MORE
          • Frascati showcases up-and-coming talent. Twice a year, four theatre and dance makers get the chance to develop a theatrical research lasting around 45 minutes and to show this to an audience (including professionals). Every evening a double bill consisting of two Fraslab presentations. This edition with Pedro Manuel (DasArts 2014), Marijn Brussaard (AHK Mime 2014), Matias Daporta (SNDO 2014), and Hilde Tuinstra (AHK Regie 2014).

          • 8pm
          • €7,50
          • frascatitheater.nl
          • Nes 63, 1012 KD Amsterdam
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          • 1204

          • SNDO

            SNDO PRESENTS: SO SO SORRY

            Sigrid Stigsdatter Mathiassen, Mao Nakagawa, a.o.

            12 Mar-4 Apr 2015

            De Theaterschool, Amsterdam

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          • SNDO 2 presents 7 pieces from 7 makers at Studio 6.02 at de Theaterschool Amsterdam. Part 1: 12, 13, 14 March with Sigrid Stigsdatter Mathiassen, Mao Nakagawa, Juan Pablo Cámara, Estefano Romani. Part 2: 2, 3, 4 April with Andrea Zavala Folache, Chengbei Duan, Tea Teearu.

          • 7pm
          • Free admission
          • ahk.nl
          • Jodenbreestraat 3, 1011 NG Amsterdam
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          • 13

          • NBprojects

            LIEFDESVERKLARING

            Nicole Beutler, Magne van den Berg, faBULEUS

            13 Mar 2015

            Rotterdamse Schouwburg, Rotterdam (NL)

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          • LIEFDESVERKLARING (Declaration of Love) by choreographer Nicole Beutler and playwright Magne van den Berg is a re-rendering of Peter Handke’s play Offending the Audience, which caused a sensation in 1966 when it brushed aside every rule of theatre. LIEFDESVERKLARING turns the original text on its head to create a seductive and disorienting ode to theatre and its audience. Six young actors speak, dance and beatbox the words, all carried along by the irresistible electronic beats of DJ and composer Gary Shepherd. Is it dance? Is it drama? Or is it an out-of-control pop-concert? Whatever it is, it will be a thrilling experience.

          • 8.30pm
          • €15/12
          • rotterdamseschouwburg.nl
          • Schouwburgplein 25, 3012 CL Rotterdam
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          • 13

          • Will Holder, Alex Waterman

            Yes, But Is It Edible? (…)

            Will Holder, Alex Waterman

            13 Mar 2015

            De Rode Bioscoop, Amsterdam

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          • For this event, Will Holder and Alex Waterman will be reading duets from the operas of the late, great composer, Robert Ashley, in support of their book, ‘Yes, But Is It Edible? The music of Robert Ashley, for two or more voices’. Ashley, a distinguished figure in American contemporary music, holds an international reputation for his work in new forms of opera and multi-disciplinary projects. His recorded works are acknowledged classics of language in a musical setting. He pioneered opera-for-television. The operatic works of Robert Ashley are distinctly original in style, and distinctly American in their subject matter and in their use of American language.


          • 7pm
          • n/a
          • facebook.com
          • Haarlemmerplein 7, 1013 HP Amsterdam
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          • 1320

          • SARIEV Project Space

            Voin de Voin

            Voin de Voin

            13 Mar-20 Apr 2015

            SARIEV Project Space, Plovdiv (BG)

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          • In his second solo exhibition at Sariev Contemporary, Voin de Voin takes on the speculations surrounding the tetrad of consecutive “blood moons” (full lunar eclipses) in 2014 and 2015 and the Apocalypse as foretold by the ancient prophets, building on commonly held notions, languages, visual and narrative clichés to introduce his theory of the advent of the post-apocalyptic Mental Age.

          • by appointment
          • n/a
          • sariev-gallery.com
          • 12 Hristo Dyukmedjiev St., Plovdiv, Bulgaria
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          • 14

          • NBprojects

            1: SONGS

            Nicole Beutler

            14 Mar 2015

            Nottdance Festival 2015; Nottingham Playhouse, Nottingham (UK)

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          • 1: SONGS is a solo performance presented as a concert, a Liederkreis, an existential exercise for a singing body. Theatre maker and performer Ibelisse Guardia Ferragutti surrenders her voice to the intense words of tragic female figures from the history of theatre, figures such as Antigone, Medea and Gretchen. The suffering of the fictional heroines (and anti-heroines) repeatedly enters her very being as she sings, shouts and speaks. The symbiosis of contemporary electronic music composed by Gary Shepherd and texts from the literary canon forms the basis for a subtle but loud scream against the instability and the incalculable incalculability of our existence.

          • 8pm
          • £10–8
          • dance4.co.uk
          • Wellington Circus, Nottingham NG1 5AF, UK
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          • 15

          • Stadsschouwburg Amsterdam

            An evening with… Katie Mitchell

            Katie Mitchell

            15 Mar 2015

            Stadsschouwburg, Amsterdam

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          • De Britse regisseur Katie Mitchell staat in 2015 centraal als ‘Brandstichter’ in de Stadsschouwburg Amsterdam. Met vier grote voorstellingen en een uitgebreid randprogramma zal haar werk in februari en maart in de schouwburg te zien zijn. ‘Een evening with…’ is een avond waarin de Britse regisseur vertelt over haar thema’s, haar bronnen en haar inspiraties. Voor meer informatie over de vier voorstellingen en het randprogramma: stadsschouwburgamsterdam.nl

          • 8.30pm
          • €15
          • stadsschouwburgamsterdam.nl
          • Leidseplein 26, 1017 PT Amsterdam
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          • 1829

          • Performatik 2015

            Performatik 2015: Breaking the frame

            Anne Teresa De Keersmaeker, a.o.

            18-29 Mar 2015

            Kaaitheater arts center and other venues in Brussels (BE)

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          • The fourth edition of Performatik, the Brussels performance art biennale, seeks out the boundaries, unravels codes and stimulates meetings between performance arts and visual art. The binding element is the live event, the meeting between audience and performer, in the here and now. Performatik 2015 presents performances, exhibitions and talks by over 35 artists and curators.

          • see programme
          • see programme
          • kaaitheater.be
          • Multiple venues in Brussels, Belgium
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          • 1921

          • Frascati Theater

            Fraslab 2

            Matías Daporta, Hilde Tuinstra

            19, 20 & 21 Mar 2015

            Frascati Theater, Amsterdam

          • READ MORE
          • Frascati showcases up-and-coming talent. Twice a year, four theatre and dance makers get the chance to develop a theatrical research lasting around 45 minutes and to show this to an audience (including professionals). Every evening a double bill consisting of two Fraslab presentations. This edition with Pedro Manuel (DasArts 2014), Marijn Brussaard (AHK Mime 2014), Matias Daporta (SNDO 2014), and Hilde Tuinstra (AHK Regie 2014).

          • 8pm
          • €7,50
          • frascatitheater.nl
          • Nes 63, 1012 KD Amsterdam
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          • 2017

          • WIELS

            Work/Travail/Arbeid

            Anne Teresa De Keersmaeker

            20 Mar-17 May 2015

            WIELS Contemporary Art Centre, Brussels (BE)

          • READ MORE
          • What would it mean for choreography to perform as an exhibition? This question is the point of departure for Work/Travail/Arbeid. In response, Anne Teresa De Keersmaeker reimagines her piece Vortex Temporum for the radically different temporal, spatial, and perceptual conditions of a museal space. The choreographer does not simply bring a dance performance into a new kind of space, but rethinks it as a nine weeks long exhibition, accessible to the public and continuously performed during regular opening hours.

          • Wed-Sun, 11am-6pm
          • €8–0
          • wiels.org
          • Avenue Van Volxemlaan 354, 1190 Brussels, Belgium
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          • 20

          • Tilt as part of Spectra

            Day for Night (Total Eclipse of Equinox Sun)

            Andrea Božic i.c.w. the Sun, the Moon, the Earth and the weather

            20 Mar 2015

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          • For the 20th of March, the beginning of spring in the Northern Hemisphere and autumn in the Southern, Andrea Božic has prepared a special spectacle titled ‘Day for Night (Total Eclipse of Equinox Sun)’. The piece features a total eclipse of the Sun that will turn day into night at the moment of the same length of day and night in the whole world. The eclipse of the sun will interrupt this equilibrium of light and darkness. The performance is a once in a 500.000 years event. Search for your location for the visibility in your area here. For the seats distribution overview, click here and here.

          • 9:30am CET
          • Free admission
          • choreographyinvestigations.blog
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          • 21

          • (im)Possible Futures

            EUROPA EUROPA

            Ful & The Knife

            21 Mar 2015

            Theaterzaal Vooruit, Ghent (BE)

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          • Don’t expect a concert by The Knife. For ‘Europe Europe’ the Swedish electric duo is collaborating with activist art group Ful. The show is an anti-nationalistic cabaret that wants to address the European policy on immigration and human rights. It turns into a tribute to refugees hassled by human traffickers, cameras, barbwire and police violence. The message is: away with walls, away with borders, no one is illegal.

          • 9pm
          • €20
          • impossiblefutures.be
          • Sint-Pietersnieuwstraat 23, 9000 Ghent, Belgium
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          • 22

          • Beursschouwburg

            Het is theater zoals te voorzien en te verwachten

            Jan Fabre/Troubleyn

            22 Mar 2015

            Beursschouwburg vzw, Brussels (BE)

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          • 1982 was a golden year. Not only did Fase by Rosas premiere in Beursschouwburg, but also Jan Fabre got his Het is theater zoals te voorzien en te verwachten was out in the world. This was to become Fabre’s controversial and much debated invasion into the theatre world. In the 1982 version, eight actors perform day-to-day activities nonstop for eight hours, the duration of a normal working day. Driven to exhaustion, they gradually open up. In that way, reality is given a place on stage, instead of fiction. With his re-enactment, the theatre artist wants to challenge a new audience, in a new era.

          • 3pm–11pm
          • €25/20
          • beursschouwburg.be
          • Rue A. Ortsstraat 20-28, 1000 Brussel, Belgium
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          • 2425

          • Performatik 2015

            Sans titre (Belgian premiere)

            Xavier Le Roy

            24 & 25 Mar 2015

            Kaaitheater arts center, Brussels (BE)

          • READ MORE
          • Sans titre is a three-pronged performance: lecture, concert and dance performance. It changes the (social or aesthetic) rules of the game and observes how slowly a new equilibrium emerges. In so doing Xavier Le Roy develops a theme that fascinates him: that we need rules, but equally we need to change them. Sans titre is presented as part of the fourth edition of Performatik, the Brussels performance art biennale.

          • 8.30pm
          • 6/12/8
          • kaaitheater.be
          • 20 square Sainctelette, 1000 Brussels, Belgium
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          • 2628

          • SNDO

            SNDO PRESENTS: A DROP OF TEAR IN THE FIELD OF GLORY

            graduate students SNDO

            26, 27 & 28 Mar 2015

            Het Veem Theater, Amsterdam

          • READ MORE
          • Graduate students of the SNDO present their work in two parts, two weekends and two venues. Aleksandra Lemm, Oneka von Schrader and Giuseppe Vincent Giampino present their work in Frascati; Jija Sohn, Paula Chaves, Riccardo Guratti and Burkhard Körner show their work in Het Veem Theater. In autumn 2014, the students left the Netherlands for their internship period. They were looking beyond the borders of the school. There, in the unknown, they rediscovered dance, performance and choreography from different perspectives. Coming back from these experiences this new generation is ready to show their fresh understanding of dance and choreography.

          • 7pm
          • €15/12/10/5
          • hetveemtheater.nl
          • Van Diemenstraat 408–410, 3F, 1013 CR Amsterdam
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          • 27

          • Rotterdamse Schouwburg

            Western society

            Gob Squad

            27 Mar 2015

            Rotterdamse Schouwburg, Rotterdam (NL)

          • READ MORE
          • Returning to their fascination with technology, this time Gob Squad zoom our camera directly into the centre of the western home. By exploring the internet’s remote darkness, Gob Squad have brought back a tiny satellite, a fairly unspectacular unwatched video of an anonymous living room, of a family gathering somewhere at the edge of the western world. There’s a party going on. Family, friends and strangers are all being held together by a karaoke machine: alone together and together alone. Western Society is a portrait of civilisation in the 21st century, like a frame through which we can peep into the living room of an unknown family, and recognize ourselves.

          • 8.15pm
          • €21–18
          • rotterdamseschouwburg.nl
          • Schouwburgplein 25, 3012 CL Rotterdam, NL
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          • 2718

          • Louis Hothothot, Kulter Amsterdam

            Urgent Care Of Identity

            Heath Bunting, Jonas Staal, Louis Hothothot, Orly Almi, a.o.

            27 Mar-18 Apr 2015

            A-Lab, Amsterdam

          • READ MORE
          • If artists are doctors of the society, could exhibitions be the diagnosis, treatment and therapy? From different angles and situations, artists deconstruct identities which are tools of oppression and domination; they question the alignment of hierarchies and power, and knowledge of ethics. Moreover, the analysis of crisis, diagnosis of society, and experience and knowledge of artists’ research will be shared in the exhibition with the hope that spectators will be inspired about the way of “Government of Self” (Michel Foucault). Urgent Care Of Identity is a thematic contemporary art exhibition reflecting identity crises under globalization.

          • Tue–Sat, 10am
          • €5
          • hothothot.berta.me
          • Overhoeksplein 2, 1031 KS Amsterdam
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          • 29

          • CSAV/FAR

            Application deadline: XXI CSAV – Artists Research Laboratory

            Yvonne Rainer and Andrea Kleine

            29 Mar 2015

            Villa Sucota, Como (IT)

          • READ MORE
          • CSAV – Artists Research Laboratory is a project where dialogue and exchange among artists of different generations and nationalities stand at the heart of a unique artistic and learning experience. The lab is open to sixteen young artists of all nationalities, selected among the applicants by a jury. The programme lasts twenty-five days during which the participants attend a daily workshop activity and theoretical seminars run by the invited artists, the director, the curator and guest lecturers. To apply, fill in this application form page. The application and all required materials must be sent by the 29th of March 2015.

          • Application deadline
          • www.fondazioneratti.org
          • Via per Cernobbio 19, 22100 Como, Italy
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          • 31

          • NBprojects

            Antigone

            Nicole Beutler, Ulrike Quade

            31 Mar 2015

            Espace 600, Grenoble (FR)

          • READ MORE
          • Antigone, the first collaborative work by choreographer Nicole Beutler and theatre maker Ulrike Quade, is a visual adaptation of the Greek tragedy written by Sophocles in 442BC. The co-directors couple the themes explored by the original with current issues, focusing on the question of how free our actions truly are. Antigone weighs up the two sisters’ ideas. It’s not easy to take sides with one or the other. What is good; what is evil? Their internal motives are revealed in a manipulative game played between performers and puppets.
The puppets were made in Japan especially for this production by Watanabe Kazunori in the bunraku theatre tradition.

          • 2:30pm & 7:30pm
          • €13–2
          • www.espace600.fr
          • 97 gal. de l'Arlequin, 38100 Grenoble, FR
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              To top
               
              Close sidenote

              LIEFDESVERKLARING (February tour)

              We are not pretending that you are not here.
 You are not thin air for us.

              You are of crucial importance to us 
because you are here.

              –– Peter Handke, 1966

              LIEFDESVERKLARING (Declaration of Love) by choreographer Nicole Beutler and playwright Magne van den Berg is a re-rendering of Peter Handke’s play Offending the Audience, which caused a sensation in 1966 when it brushed aside every rule of theatre.

              LIEFDESVERKLARING turns the original text on its head to create a seductive and disorienting ode to theatre and its audience. Six young actors speak, dance and beatbox the words, all carried along by the irresistible electronic beats of DJ and composer Gary Shepherd.

              Nicole Beutler and Magne van den Berg have been collaborating regularly since 2009, making such stage works as 1: SONGS in 2009 and PIECE (also with young actors) in 2011. It’s impossible to categorise their work. Is it dance? Is it drama? Or is it an out-of-control pop concert? Whatever it is, it’s always a thrilling experience.

              Visit nbprojects.nl for more information.

              February Tour 2015


              9 February 2015, 8.30pm

              OPEK, Leuven (BE)
              Tickets: €12,50/11,40/10,80
              opek.be


              21 February 2015, 8.30pm

              De Lieve Vrouw, Amersfoort (NL)
              Tickets: €14,50/13,50/12
              lievevrouw.nl


              27 February 2015, 8.30pm

              Chassé Theater, Breda (NL)
              Tickets: €18,20/11,20/9,70
              chasse.nl


              28 February 2015, 8.30pm

              Schouwburg Arnhem, Arnhem (NL)
              Tickets: €17,50/12,50
              mssa.nl

               
              Close sidenote

              5: ECHO

              A coproduction of ICKamsterdam & NBprojects

              In 5: ECHO, choreographer Nicole Beutler enters into a dialogue with the history of dance. Past, present and future flow into each other in this magical ritual. Point and circle, echo and resonance, geometric forms in motion and a kaleidoscopic interplay of lines like a pumping heart in the centre stage.

              5: ECHO has two parts. Part one is inspired by the radical performative work by Koert Stuyf and Ellen Edinoff, who blew up the conventions of the art of dance in the Netherlands in the nineteen seventies. For part two Beutler reworked the choreography Vermiljoen (1978, Bianca van Dillen, Dansproduktie) creating a piece for six dancers as collective body in a ritualistic journey, oscillating between past, present and a potential future.

              5: ECHO is a solo performance, a film and a choreography for six dancers supported and propelled by the pumping electronic sound score by Gary Shepherd in a monumental, yet minimalist, space designed by Theun Mosk, lighting design by long term collaborator Minna Tiikkainen.

              Everything resonates: slowed-down time, dancing circles and glistening lizards on the balustrades… Before and after the performance you can dive into the archive that served as a source of inspiration for 5: ECHO. Let yourself be informed, watch the short documentary, listen to memories, browse old reviews and admire photographs from bygone days.

              Visit nbprojects.nl for more information.

              January Tour 2015


              8 January 2015, 8.30pm

              De NWE Vorst, Tilburg (NL)
              Tickets: €15/12/7
              denwevorst.nl


              13 January 2015, 8.30pm

              De Goudse Schouwburg, Gouda (NL)
              Tickets: €20
              goudseschouwburg.nl


              14 January 2015, 8.15pm
              (Introduction: 6.45pm)

              De Rotterdamse Schouwburg,
              Rotterdam (NL)
              Tickets: €21/18/10
              rotterdamseschouwburg.nl


              15 January 2015, 8.30pm

              Schouwburg De Lawei, Drachten (NL)
              Tickets: €15,50
              lawei.nl


              20 January 2015, 8.15pm

              Theater de Veste, Delft (NL)
              Tickets: €12
              theaterdeveste.nl


              22 January 2015, 8.30pm

              Chassé Theater, Breda (NL)
              Tickets: €17,20/11.20
              chasse.nl


              29 January 2015, 8.30pm

              Theater Malpertuis, Tielt (BE)
              Tickets: €14/12/11
              malpertuis.be